On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne's fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick's clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn't doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife's head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media--as well as Amy's fiercely doting parents--the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he's definitely bitter--but is he really a killer?
As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn't do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn't do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
In short: Gone Girl by Gillian Flynn is the paragon of WTF-ery.
All I really knew going into Gone Girl was that it was a hit book turned into a hit movie and that there was a shocking twist. This was enough to pique my interest even though I don't normally do adult fiction. But even though I knew going into it to expect a surprising twist, I'm not sure I ever fully grasped how much of a WTF moment it was. Like, I thought I sort of knew where the story was going and I was totally hanging on to Gillian Flynn's every word for the first half and then - TWIST. What-The-Actual-F*ck.
I was super blown away the way everything unravels both pre- and post-twist. Gillian Flynn really seems like a master of deceit and manipulation and I will definitely be checking out other books from her sometime. Gone Girl was almost a 5 Star read from me based on the overall WTF-ery of the plot, but I did have two issues:
First, I did not like any of the characters. Now, that's not to say that the characterization was bad because Gillian Flynn actually did a phenomenal job with that, I think. But I didn't like any of them personally. I found that there was no one to "root for" and surprisingly it is important for me to have at least one person that I can connect with to completely love a book.
Second, THAT ENDING. Another WTF. Part of me respects the route that Gillian Flynn takes with this ending, but I am also someone that craves closure, and I REALLY needed to see justice doled out. But again, Gillian Flynn goes for the realistic angle here and you can't help but appreciate that.
So yes, I think people who don't NEED to have likeable characters and closure in books would/will love Gone Girl. People who do need these things will either be driven insane by the craziness that is this book or enjoy it for the wild ride - PROBABLY BOTH, like me. Highly recommended for all lovers of sh!t that is B-A-N-A-N-A-S.
Other Reviews:
My Precious
Novel Sounds
Xpresso Reads
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