Publisher: Knopf Books for Young Readers
Published: January 1, 2005
Pages: 552
Source: Bought
Rating: 5 Stars
Published: January 1, 2005
Pages: 552
Source: Bought
Rating: 5 Stars
It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.
Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.
Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.
In short: The Book Thief by Markus Zusak is very special to me and I can't recommend it highly enough.
I am going to attempt to review The Book Thief, a transformative novel that I read at the end of last year that left me reeling with its beauty and drowning in feels. I say attempt because it would be near impossible for me to do a book such as this one justice. How can I adequately relate my feelings for a book that has become so special to me? I struggle with this when it comes to reviewing these kinds of meaningful books and I'm envious of any reviewer who can manage to describe their feelings effectively. But attempt I will.
The Book Thief is narrated by Death, a storytelling device, which, at first I thought was going to be a bit gimmicky, but actually pays off in dividends and really elevates the book into memorably-genius-work-of-fiction territory. The standouts in The Book Thief are the characters and the character relationships, each notably dear to me and thought-provoking in their own way. But the crappy part about reading a book about treasured characters living in Nazi Germany that is narrated by Death is that you know things are not going to end well for many of the characters that you have grown so attached to and you just have to deal. Somehow, someway, with plenty of tissues and maybe a shoulder to cry on, you have to deal.
I suck at describing writing styles so I usually just settle for “well written” or “not well written” in my reviews, but I feel like it would do Markus Zusak’s writing a disservice by merely calling it “well done” and leaving it at that. So I will attempt to expand on this a bit: Markus Zusak is a freaking GENIUS. His grasp of imagery and metaphor is unparalleled (albeit as far as my limited range of reading goes). There were certain turns of phrase that he uses that were SO unique and that I have never read anywhere before that made me – for once in my life – want to whip out a highlighter and start highlighting the crap out of his prose. No, I didn’t actually deface my copy, but I was TEMPTED. Maybe I might consider it again upon a reread.
If you’re wondering: no, I haven’t seen the movie yet and I’m a bit apprehensive about it because the reviews have been less than favourable, which bums me out SO MUCH because this book deserves nothing less than brilliance in film form. How about you guys – has anyone seen the movie and would you recommend it?
So there were my jumbled thoughts. I do wish I were better at thoroughly describing the perfection of certain books, but instead I will settle for shouting it across the rooftops, if I must: READ THE BOOK THIEF. I know I must’ve been among the few remaining non-readers of The Book Thief out there, but I imagine there are still a few of you out there somewhere who have yet to read it. And you simply must! Please say you will and then once you have, let me know and we can drown in our feels together.
Other Reviews:
Books: A True Story
The Daily Prophecy
Just Another Story
Reading In Winter
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